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- Feb 22, 2019 Beta testing for PluralEyes version 3.5 is free of charge and open to the public. When the product is officially released, existing users can choose to upgrade for 79 USD. Version 3.5 will be available for new users to download at 199 USD. Download pluraleyes 3.5.10 for edius for free.
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Red Giant Offload performs a checksum during media transfer from the camera card to a hard drive, giving videographers the peace of mind that footage back up with no loss. PluralEyes can detect Offload events and bring the footage over, for a seamless workflow from Offload to PluralEyes to the host-app. Vertical Track Scaling in PluralEyes allows users to see more detail in the waveform when inspecting media. Users can compare tracks and verify the sync by selecting which audio waveform show next to the video track. The Red Giant Shooter Suite is a set of applications that gives videographers the ability to bring footage from collection to post. With automation and workflow capabilities, users can offload, analyze, touch up and synchronize digital media destined for the post. PluralEyes is a great application that instantly analyzes and synchronizes sounds from your camera, as well as audio devices. No children’s tables or time tables needed for this.
PluralEye has a brand new Premiere Pro control panel that allows you to synchronize files directly inside Premiere Pro, so you do not leave your server program. This program analyzes your video and uses the best choices automatically. You just have to push the Sync button. Importing media was more straightforward than ever before. Only drag and drop the entire media folder into Plural Eyes, and it will automatically detect during synchronization.
All in all, the Red Giant Plural Eyes is an excellent app that analyzes and automatically synchronizes sounds from your camera as well as audio devices. PluralEyes is a specialized method for the video and audio synchronization from multiple cameras and other audio devices. The software allows you to simultaneously synchronize up to 10 separate audio or video files while removing the need for post-production clapboards, time code, or manually synchronizing audio to video. PluralEyes is also fully compatible with Adobe Premiere Pro, Final Cut Pro X, and Final Cut Pro NLEs.
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Syncing Is Even Easier:
Over a dozen different sync combination possibilities occurred in previous versions of PluralEyes, which meant you might have to run the sync multiple times before you get it right. PluralEyes analyzes your footage in version and uses the best possible options automatically. Just press the Sync button, and PluralEyes will do the rest.
Premiere Pro Panel:
In PluralEyes, get all the power and convenience of syncing without ever having to quit Premiere Pro. Simply press Premiere Pro’s Sync button, and PluralEyes does all the job. The Premiere Pro Panel helps you to export timeline sequences to PluralEyes, execute your syncs and then import them back into Premiere-right from Premiere. PluralEyes will also colour your videos based on the match performance, so you know which clips need your attention if any.
Smart Start:
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Importing media is simpler now than ever. Drag-and-drop a whole media folder into PluralEyes, and it will automatically detect the computer the press came from during sync. The files will arrange in such a way that the media are on the same track from the same network.
Automatic Drift Correction:
The sound and video can get out of sync in long clips. PluralEyes has always been able to take account of this issue and to export a full match. But now, if PluralEyes detects a drift in the version, it will fix it automatically. And you get the option to switch between the modified sync and the original uncorrected audio applied.
- For a more intuitive, familiar timeline and replay experience PluralEyes now has the same keyboard shortcuts as Premiere Pro.
- Users can easily compare tracks and check the sync by selecting the audio waveform is shown next to the video track.
- A brand new look that modernizes the application, keeping in line with all the Red Giant tools lineup.
- VCHD playback – Windows latest playback.
Support for AVCHD spanned clips on both Windows and OS X. - An extended range of media styles supported for exports of “Replace Audio.”
- Improvements to the algorithm to provide faster and more accurate synchronization.
- Automatic sync drift correction for optimal matching sound in longer images.
- A new workflow on the music video: Music video mostly take in the background, over several takes and in various locations with the track play. Now, this tricky sync is no longer a challenge; PluralEyes automatically consolidates all take on their album, mutating all but the master album background audio.
- Help for media extending to GoPro: Some cameras record on multiple files, or even multiple camera cards to allow longer recording times. PluralEyes senses the spanned clips and consolidates them into one. Revised to version support for GoPro cameras is ranging.
- Windows Vista/7/8/10
- Memory (RAM): 1 GB or greater RAM (recommended 2 GB *)
- At Least Hard Disk Space: 500 MB of hard disk space for the installation of standard programs.
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What’s New in PluralEyes 4
Syncing audio and video clips in PluralEyes is now easier than ever, with flawlessly synced media just a click away thanks to under the hood enhancements that allow PluralEyes to analyze footage and automatically choose the the best possible options, so the user doesn’t have to. Sporting a completely updated look, additional new features include:
All the power and simplicity of syncing in PluralEyes without ever leaving Adobe Premiere Pro – just hit the sync button in the Premiere Pro Panel and PluralEyes takes care of the rest. Giving users ease of mind, PluralEyes in Premiere Pro offers the same color coding capabilities as it does in the standalone version, so editors will know which clips, if any, require attention.
Importing media is easier than ever with PluralEyes’ Smart Start feature. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
When syncing long clips, sound and video can tend to stop matching up perfectly. PluralEyes can account for this and export a perfect sync with Automatic Drift Correction, announced in version 3.5. New in version 4, when drift is detected, PluralEyes will automatically fix it, then give editors the option to toggle between the drift-corrected sync and the original audio for comparison.
An essential feature from the PluralEyes beginnings, color coded visuals show editors the progress of the sync, making it easy to make adjustments. Now, export from PluralEyes to Premiere Pro features a color coding option for clips that don’t sync properly.
Red Giant Offload performs a checksum during media transfer from camera card to hard drive, giving filmmakers the peace of mind that footage was backed up with no loss. PluralEyes 4.0 is able to detect Offload events and bring footage over, for a seamless workflow from Offload to PluralEyes to the host-app.
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